Maral is the last real evolutionary step I did until recording Evolutions itself: Moving from computer-based interfaces to a real sequencer and keyboard. It’s from the same tape as the uncut recording of Evolution, done in 1993. At this point I was allready using the Wavestation and the DR660 drumcomputer.
... and the next step: Just before I started using real sequencer-software for the first time, enabling me to do real-time recordings, I bought my first Keyboard, the Yamaha PSS790 and a great FX processor: The Boss SE50.
Okay, we all know that artists take their inspirations from big issues. They write poems about love and sing about the earth - all the deep stuff, right?